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supported by 15 fans who also own “Giant's Dream”
I can’t believe I’m just now finding this band. I lucked into finding them by reading an old interview with The Skull members Eric Wagner, Ron Holzner, and Jeff Olson (All three formerly of Trouble, too). They’ve been broken up for almost a decade now. Such a shame; they should have and still should be HUGE! The vocalist has some amazing pipes! If you listen to the first song and don’t buy it, it’s quite possible you have zero taste when it comes to heavy music.
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supported by 15 fans who also own “Giant's Dream”
Allow me to copy Pagan Altar's third album title to describe not only III:Pentecost but the whole discography of Wytch Hazel so far: well, yes, it's Magical and Mythical!!! A must-have for the lovers of 70's hard sound revival.
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supported by 14 fans who also own “Giant's Dream”
So I can't leave a long enough review to say everything I want. But I will say this, I love this EP. It's a great little follow up to times, and has just enough of a dynamic shift in sound to prove that Smoulder isn't a one trick pony with their first album's formula. This one really plays up the 70s prog aspects (DUST and Manilla Road influences definitely shine through even harder here). It's still Smoulder, don't get me wrong. Just a different side in some ways, all of which are good.
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Weedian presents a 56-track chronicle of Mexico's stoner metal and heavy psych scenes, from ’90s forefathers to contemporary wrecking crews.
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Four Tales of the Strange (Split)
by Bog Wizard, Dust Lord
This searing, four-track split from Bog Wizard (Michigan) and Dust Lord (Colorado) pairs stoner rock riffs with hard fantasy themes.
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Obsession Destruction
by Chained to the Bottom of the Ocean
featured on Bandcamp Radio May 12, 2023
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supported by 13 fans who also own “Giant's Dream”
OMG, late to the party but this is some of the best occult infused doom stoner tackle I've ever heard. Reference points include Sabbath (obvs), especially with the Ozzy-esque vocals but there's also the melodiousness of early Heep mixing with a more contemporary occult rock sound. It starts in the 70's and makes it to the present day. The riffs are huge but it's their way with a hook that elevates this from your average doom/stoner fare. Very wonderful indeed!
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